tom moody

Missed some of the questions on the twitter feed for last night's streaming video talk at Art Micro-Patronage. Sorry I didn't get to talk more about Glass Popcorn but it was great to hear from his fan base. One non-Glass query was:

U draw very similar blob like shapes on CCDS can u talk about these shapes

H.P. Lovecraft (who in real life was disgusted by sea food) wrote often about jellyfish creatures from dimensions with "wrong geometries" breaking through into our world. As it turned out, it wasn't fiction. I find these monsters are less scary at night and in old cemeteries than when erected in public plazas in daylight by government officials.

Sorry if you asked a question during my streaming talk tonight on the Art Micropatronage website and I ignored you. I only saw a handful of questions that came in. The AMP folks believe it's because "twitter doesn't show tweets when the hashtag is the same as the username" so if you had @AMPatronage and #AMPatronage in the same tweet nothing showed up in the #AMPatronage search results I was refreshing. Bummer.

Below are questions and comments that came in, many of which I didn't see. I will answer, uh, some of them in an upcoming post.

what about 4D?

Tom do you see yourself in glass popcorn? do you have a little glass in you?

tom talk about dump.fm

U draw very similar blob like shapes on CCDS can u talk about these shapes

would u be happie or sad if glasspopcorn made a song called "Im Tom Moody"

"immediate medium" my new band name

*how well can pixel art be translated into 'real life' art objects? what changes when its removed from its original medium?

Can u talk about dump as a place where art blossoms amongst filth

**Do you play games?

**Do u think ur work really has that much in common with 8 bit sprites?

you gat Skype?

Talk about glasspopcorn please Im lonely

wut about web video

Wanna video chat?

Is pixel art the new minimalism?

How Do U feel about "Glass Popcorn" this question is optional.

Who is the best dumper?

Hi Tom moody what is ur favorite hip hop song u heard in 2011?

*Can you expand on your 1st reason a little bit? What do you mean access the medium on its most basic?

*Can you talk about the altar format of your piece and how you view the altar format in general ?

MSPaint 4evar

*Answered (or at least addressed) during the talk.
**Discussed without seeing the question.

Update: A few shouts were omitted from the above list--I saw them, thanks for the kind words.

Back in '09 we complained about Comcast's service "Domain Helper," which redirects requests for non-existent URLs to a Yahoo search page. The company has now ceased using Domain Helper because it's incompatible with the DNSSEC internet page-naming security specifications, which it just implemented. Their statement:

When we launched the Domain Helper service, we also set in motion its eventual shutdown due to our plans to launch DNSSEC. Domain Helper has been turned off since DNS response modification tactics, including DNS redirect services, are technically incompatible with DNSSEC and/or create conditions that can be indistinguishable from malicious modifications of DNS traffic (including DNS cache poisoning attacks). Since we want to ensure our customers have the most secure Internet experience, and that if they detect any DNSSEC breakage or error messages that they know to be concerned (rather than not knowing if the breakage/error was "official" and caused by our redirect service or "unofficial" and caused by an attacker), our priority has been placed on DNSSEC deployment -- now automatically protecting our customers...

Translation: (i) "We'll treat you like idiots until it's no longer in our interests to do so" and (ii) "I meant to do that."
TechDirt reads this as an unintended admission that the anti-piracy schemes of the SOPA and PIPA bills won't work:

Comcast (an official SOPA/PIPA supporter) has rolled out DNSSEC, urged others to roll out DNSSEC and turned off its own DNS redirect system, stating clearly that DNS redirect is incompatible with DNSSEC, if you want to keep people secure. In the end, this certainly appears to suggest that Comcast is admitting that it cannot comply with SOPA/PIPA, even as the very same company is advocating for those laws.

(Because SOPA/PIPA envision a system for redirecting traffic away from allegedly offending websites).

In March of 2010, Facebook was being described as having 400 million users.

By July of 2010 that year the number had increased to 500 million, according one expert named Mark Zuckerberg.

By July of 2011 the LA Times was reporting that the company had 600 million active monthly users. (Source: Facebook)

These are some nice round numbers!

Today, six months after the last count, an infographic appears claiming the number is now 800 million users! "One in ten humans on the planet" now use Facebook, we're told.

Everyone loves a good story. Also, the price of housing only goes up.

via Rising Tensions

Tomorrow, Thurs, Jan 12 at 7 pm Eastern, 4 pm Pacific I'll be giving an artist talk in connection with the "10,000 Pixels" show.

It's taking place on Art Micro-Patronage's "talks" page via an embedded Ustream channel.

Ideally at the announced time my face will show up in the video screen and I'll start talking. You comment/ask questions by typing into the grey box beneath the video. You can also communicate via Twitter using the hashtag #AMPatronage

Let's see how this goes.

"Trippmatic Variation 3" [4.2 MB .mp3]

More rearranged drum-and-bass, almost becoming...dubstep. The "profit" pad is from the Synth Mania website, also rearranged.

Variation 1 / Variation 2

Naked Capitalism has a good explanation of what's at stake in the these bad Internet blacklist bills, SOPA and PIPA, which the movie industry is trying to ram through Congress. Yves Smith quotes Techdirt:

SOPA... contains a crazy scary clause that's going to make it crazy easy to cut off websites with no recourse whatsoever. And this part isn’t just limited to payment providers/ad networks — but to service providers, search engines and domain registrars/registries as well. Yes. Search engines. So you can send a notice to a search engine, and if they want to keep their immunity, they have to take the actions in either Section 102(c)(2) or 103(c)(2), which are basically all of the "cut 'em off, block 'em" remedies. That’s crazy. This basically encourages search engines to disappear sites upon a single notice. It encourages domain registries to kill domains based on notices. With no recourse at all, because the providers have broad immunity.

This will do little to deter copying of easily-copyable entertainment but will be used as a political weapon. If, say, a polluting company doesn't like something an environmentalist website is saying, one email to that website's host complaining of "copyright infringement" -- no matter whether the charge is valid -- and that site is gone from the Web. All of us who enjoy a diverse and open internet need to make calls and send letters to Congress to make sure these terrible laws don't get passed.

PIPA, the Senate version of the bill, comes up for a full Senate vote on Jan. 24.

The Electronic Frontier Foundation has some suggestions for how we can stop the bills. Please spread the word.

Painting by Forrest Bess, a naive modernist from Texas who had a stellar New York career, beginning with shows at Betty Parsons (Jackson Pollock's gallery). Recently a Bess turned up on Antiques Roadshow -- the old duffer who got it as a gift from Bess back in the day was pleased and flabbergasted by the $70,000 estimate. Hat tip Bill Schwarz, who has that and other Bess links here.

Some updates I added to an earlier post about the Clyfford Still museum in Denver:

(1) Peter Plagens wrote on the museum for Artnet, prior to its opening, and noted that four Stills were sold to finance it, in contravention of the artist's and his widow's wills.

(2) Writing on Paddy Johnson's blog, Whitney Kimball describes the first attack on a Denver Still painting (by a random inebriated person). Also mentioned are the protests that occurred at the time of the sale of the four Stills (the sales per se weren't the issue, just huge takes by an auction house in a labor dispute with its art handlers).