Archive for the ‘web app art – tm’ Category
GIFs based on patterns generated by Eva Schindling's L-Garden program, a Java utility made with the Processing programming language. Anyone can load the applet and make one of these but it's primarily a drawing program, not an animation program. Here, the transparent one is made from Schindling's example GIF (hat tip Issac). The non-transparent one is a screen capture of a drawing in "grow" mode, as it appears in the applet.
My contribution to the wendypaint.com genre (or as dumper "peggy" calls it, wendyvanitypaint).
On the plus side I like the combination of paint strokes with photocollage, or videocollage. (The gradients from all the dragging create a 3D effect that looks like cut up photos to me.)
On the minus side, these rubber-stamp or photoshop-brush style brushes are awfully clumsy. I searched for a way to shrink them to pencil width for some finer lines but couldn't figure out how to do it.
Also, couldn't figure out how to add my image to the "stream" so better hedge a prior statement about this site partaking of the "social" scene. It's possible that Kim Asendorf is "curating" the stream -- drop me an email if that's not so. [Update: Users publish to the "stream" by checking a small unidentified box with no "submit" button, leaving the drawing page, and praying to whatever deity or deities they worship -- should have known that, whoops]
Various dumpers were playing around with Kim Asendorf's wendypaint.com website, created for The Wrong digital biennale. It's a pixel-y art platform where you can "make brushes" out of images or icons and drag them around to leave MSPaint-like trails. It reminded me about canvas painter, which I hadn't used in a while.
With wendypaint, Asendorf adds the all-important social dimension in that a community develops of wendypainters all sharing and archiving their drawings. This increases the likelihood of coverage on the "art and technology" websites, and of Asendorf being praised for circulationism, dispersion, and all the rest of that social utilitarian rhetoric.
The modest little canvas painter, while more "open source" than Asendorf's project, nevertheless lacks "social," bringing it closer to the dreaded hermeticism, that bugbear of new media prognosticators. Years ago I said Nasty Nets wasn't really social, because people just posted stuff and didn't talk about it all that much, which drew the ire of Marisa Olson, who informed me that all manner of back channel discussion was happening about Nasty Nets posts via chat and email (that implicitly, I had been excluded from -- nice).
unsolicited collaboration w/ jules laplace and one of chris shier's infernal HTML5 contraptions
more gifmelter / gif recorder experimenting re: circulation and dispersion (that last in a disingenuous bid for new media understanding)
my digital pog gif gesturized and melted in gifmelter, recorded in gif recorder (see previous post for particulars), optimized in OIE and secret windows-based software
pre-melting stage (331 KB, more fluid):
for some reason I think I like the photo of the printed-out web app drawing more than the web app drawing itself