tom moody

At Paddy's we are discussing Rashaad Newsome's video "The Conductor," currently on view at MOMA/PS1 and the artist's website (but not YouTube). It's a mashup of hand gestures from hiphop videos synced to Carl Orff's Carmina Burana. Learned a new phrase, forum culture, that can be used to distingush internet-hosted-and-vetted work from museum-sponsored media art.

And then proceeded to pound this distinction into the ground over the course of a long online conversation.

(The phrase is from Beau Sievers, who has posted this computer art history syllabus.)

Excerpt from the Newsome thread:

when [paddy] used the word “virtuosic” it caught me. even if i thought that about Conductor i’m actually not sure how’d i’d argue the qualification. i guess cos the technical bar for making a mashup is set so low whereas traditional markers of virtuosity – like improvising over rhythm changes at a fast tempo or making it through the hammerklavier unscathed – require an elite skill set by definition. and im not sure if more cuts synced tighter to more music is more virtuosic or not. i suppose it is (marclay video quartet) but that was also pre-youtube. anyway.
http://www.youtube.com/watch?v=sc7nmNJozTc
pbd // 24 May 2010, 4:08 pm

[leaked internal] memo to curators, MOMA Dept of Film and Video: “…when evaluating video art please take into account the following: virtuosity, showmanship, editing skillz, mashup style, beatmeistering, beat-matching, eye for pop culture memes, input from forum culture (if any), and general ‘getting down.’”
tom moody // 24 May 2010, 5:06 pm

...sounds ridiculous but it’s a bit like that! i was watching Conductor thinking “rapper hand gestures dont match basic conductor patterns (hands always go up on the last beat of a bar). is that a minus? all his cuts are right on beat without fail, is that a plus? cuts on beat aren’t hard to do, is that a minus? focus on mid 90s bad boy records in the first movement suggests artist favors east coast over west coast, is that a plus? and where are bone thugs?”
i dunno maybe something’s there…not in this piece but in the difficulty of comparatively evaluating the stuff generally, but i’m unable to articulate any of it.
pbd // 24 May 2010, 6:29 pm

Update: Post expanded.

Our staffers and interns here at TMU have been tracking the gradual decline of Josh Marshall's Talking Points Memo blog. Marshall once wrote long, thoughtful posts about the government and media and even finished a PhD thesis about Revolutionary War-era American politics while blogging. Now the site is screaming tabloid muck, chockablock with sexual scandals and handsome political celebrities (five photos of Rand Paul and one Sarah Palin on today's front page). We all have to get paid but selling yourself to loan sharks pitching a faux-populist message (see above ads) heralds the depths of desperation. It would be sad if the ad content wasn't so sleazy.

Update: Went back through old blog posts to see if I ever said anything nice about Marshall. Here's one compliment: "Marshall has done terrific work tracking government shenanigans--particularly during the Bush push to destroy Social Security."

Update 2: At least he stopped running those blogging heads videos where he talked to the camera about his opinions.

Ben Davis, The Age of Semi-Post-Postmodernism, artnet Magazine

We are at the beginning -- not the end -- of a long period of global economic restructuring that will be very painful. The brutality of massive budget cuts has only begun to be felt. According to whose interests this restructuring will be done is not yet set, and what new paradigm will emerge from the chaos is anyone’s guess. Partly, it depends on what we actually do now.

If art and art theory are to play a positive role in this process, they need to ditch the platitudes of "my art is my activism" and "my theory is my practice." Moving beyond "postmodernism" has to mean a shift away from the myopia and cynicism that has characterized our recent past, if it is to mean anything at all.

Comment about Davis's essay by Hypothete at Paddy's:

“Unless and until such a shift occurs, simply giving up the term [postmodernism] or changing it out for a new one is not going to do much good. Swapping word games for a meaningful relationship to political reality was part of the problem in the first place.”

Although I disagree with a lot of what Davis has to say, this is where he hits the nail on the head. As long as we keep referring to ourselves as within the historical narrative, we will remain in the historical narrative. It’s over, we’re not on a track like Modernism suggested, and it’s still playing into those ideas to be ‘postmodern.’

“Harvey was talking about economic theory, but you could say the same about art theory: If the art world continues to recycle the same old anti-historic academic bullshit and chirpy gossip then it is going to continue to be a place of intellectual irrelevance and triviality that no one takes seriously besides the people who inhabit it.”

I would argue the opposite: the art world continues to recycle the same academic historical tropes in an attempt to seem relevant to a culture that doesn’t care or work the same way any more. As far as I know, no one’s complaining that contemporary artists are being too down-to-earth.

My two cents (cross-posted to Paddy's):

For an article appearing on “artnet” Davis’ analysis reads like “printnet,” circa 1995. He doesn’t mention the internet once, or any of the social or artistic changes brought about by techno-culture. He is thus the perfect critic for the current art world, still talking about storefront installations and such. For some reason the art critic’s association AICA included him in their recent panel on new media. Paddy was on the panel and from her description, Davis didn’t have much to say. “Techno-culture” may not in fact have rocked the ongoing neoliberal nightmare he describes in his essay, but many positive and interesting changes have occurred. It may be artists have drifted away from “his” art world and he’s wondering where all the energy went.

Update: My comment drew the usual sharp reaction from Paddy's old-left commentariat, who are very worried about this internet thingy upsetting their gigs (i.e., complaining how the world never changes).