from the vault: "Heyday" and "Pacific Scrim"

"Heyday (2017 Remix)" [mp3 removed -- please listen on Bandcamp]

"Pacific Scrim (2017 Remix)" [mp3 removed -- please listen on Bandcamp]

Dusted off these tunes from 2010 and 2011, respectively, and remixed them (as in editing out parts, compressing individual tracks, and making a louder "master").

The style is the rhythm-ambient stuff I was doing before I started getting more interested in crude songwriting/arranging. "Heyday" has a found speech sample from the art world that cracks me up, in an easily-amused sort of way.

"Dusting off" means "performing elaborate forensics" since both tunes were done on a Windows XP computer running Cubase 4 with UAD plugins. Trying to load the projects in Cubase 7.5 on Windows 7 meant the following didn't work: (i) Battery -- thanks, so much, Native Instruments, for not making Battery 4 backwards-compatible with Battery 2 (ii) Reaktor -- ditto for Reaktor 5 and 2, (iii) Waves compression plugins had to be substituted for the UAD. Half a day of fun, at least.

around the web

The Story of ORCH5 (via Cosmic) How an orchestral stab from The Firebird Suite became a hiphop staple. Thoughtful tracing of cultural currents even if you don't buy the thesis of a "fundamental epistemological crisis that besets Western music." Was intrigued to learn about the role of White Noise's David Vorhaus (he digitized the sample in the late '70s) and the happy accident of a pricy Fairlight synth (which contained ORCH5) being in the studio when Arthur Baker and Afrika Bambaataa went in to record "Planet Rock."

FAIR (Fairness and Accuracy in Reporting) notes that the Washington Post Ran 16 Negative Stories on Bernie Sanders in 16 Hours. That's the same Jeff Bezos-owned news entity that's currently peddling Russian conspiracy garbage. (hat tip Lambert)

"Love Me, I'm a Liberal" [YouTube] (hat tip Lambert again). Phil Ochs song from the '60s beguilingly anticipates Hillary Clinton partisans and their bizarre infatuation with spy agencies.

Once I was young and impulsive
I wore every conceivable pin
Even went to the socialist meetings
Learned all the old union hymns
But I've grown older and wiser
And that's why I'm turning you in
So love me, love me, love me, I'm a liberal

linux vs apple

Libre Music Production discusses and promotes Linux audio with interviews, plug-in reviews and tutorials.

Musician Scott Peterson, in a LMP interview, makes a case (pro and con) for using Linux:

And of course, my maker leanings are the same that inspired me to learn Linux and begin moving away from proprietary computer hardware and software. Once you buy into, say, the Apple ecosystem you are trapped. Yes it works, yes it’s stable, yes in many ways it’s great. However, once Apple starts removing ports, removing the ability to install after-market upgrades, or control what applications are installed on your computer/iPhone, there’s nothing you can do about it: you have already bought into a (very expensive) hardware/software system (a Technosystem if you will) and extricating oneself from it can be difficult as it requires the learning of new tools, new software, a new OS, etc.

In a society increasingly bound together by "tech" it's becoming easier for banks, businesses and governments to own you because of this learning curve issue. (See, e.g., Munich's attempt to wean itself from Microsoft). Even without maker leanings (the urge to solder parts and/or assemble your own motherboard) you might simply want to avoid owing your soul to the company store, as the song goes, by switching to a software realm based on principles of openness, collaboration, and intellectual freedom. Sounds corny but Apple, Google, and Microsoft are not the place for "hope and change" any more than Obama was.

windows resistance is futile

The city government of Munich, Germany switched from Windows to Linux in 2004 but appears to be on verge of returning to the Borg. Tech Republic gives some background:

At the time Munich began the move to LiMux in 2004 it was one of the largest organizations to reject Windows, and Microsoft took the city's leaving so seriously that then CEO Steve Ballmer flew to Munich to meet the mayor. More recently, Microsoft last year moved its German company headquarters to Munich.

Microsoft's tactics seem to have paid off, as Munich's politicos are "poised" to vote next week for a move to Windows 10. It's ironic that as Linux has improved over the last ten years, Microsoft has gotten worse, and the most compelling argument for a business or government to use it is still "everyone else does." Meanwhile, ordinary consumers overwhelmingly reside in Apple-or-Google-land, because they are all using "devices."

Joe Milutis Eulogizes Dump.fm

modern_complexities

On Hyperallergic, Joe Milutis discusses the recently-deceased website Dump.fm, in an essay titled In Memory of Dump.fm: An Endlessly Collaborative Image Poem.

Neither an art-world-ish “internet surf club” nor a monetized zeitgeist sump pump, dump seemed to harken back to a pre-1997 internet era, when it was possible to imagine that the users you met online were a small enough cohort to seem communitarian, but not large enough to merely replicate the social structures and hierarchies of the world at large.

Milutis' treatment of the site as a poetic language is appreciated:

Weird fragments, heavy dithering, pieces of images or text floating without context. Inaction gifs as opposed to reaction gifs. The quasi-syntactical combinations of these crappy objects were only possible if participants were more interested in treating the combinations like a language — one for which they would both have to amass the vocabulary and then be willing to speak with it. The rapidity of these combinations allowed for the unexpected, as if Breton’s automatic writing had finally found its imagistic counterpart.

Milutis avoids the political in discussing the Rene Abythe GIF below, except in the sense of dump-vs-tumblr politics and dump's intriguing disconnections with the rest of the world ("real" or online). For the record, it depicts Hillary Clinton's "pointing to the right and the red" logo crudely morphing into the Outback Steakhouse logo. (Electors asked Where's the Beef and gave us Trump.) The geek joke is that that the red arrow, when compressed, becomes a jagged outline resembling that familiar outdoors-y mountain range, helpfully rotated so we can see it.

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