general

The digital file based artworks in the Street Show, which were perversely kept offline and made available only on a USB stick stuck in some bricks on 21st Street in NY*, were quickly downloaded by a group of old school code phreaks calling themselves 0-Day Art. That organization is making the files available as a Torrent.
Their revolutionary rhetoric, minus the mid '90s-style green ASCII letters on black screen:

|  0-DAY (pronounced as zero day) - refers to any    |      
|  copy of work that has been released the same day  |    
|  as the original, or sometimes even before. It is  |  
|  considered a mark of skill among warez distro     |   
|  groups to crack and distribute a program on the   |         
|  same day of its commercial release.               |                                                          
|____________________________________________________|         


"We're going to take it offline for the collector, 
so they can just have it locally."
                                              
- Lauren Cornell, Executive Director Rhizome.org


. . : WE WILL GET THAT ART BACK ONLINE BY ANY MEANS NECESSARY : . .

*but not too inconveniently located near an art & technology not-for-profit.

More on the Street Show.

Spam sucks, and make no mistake about it, but sometimes it's amusingly absurdist. These were some late-arriving comments to my AFC guest post last summer on a Heather Rowe exhibition:

...who is interviewed about his Antlers WiFi animations in the magazine Beautiful/Decay.

The article is reblogged by the Huffington Post, which gives it the front page teaser headline "Temporary Trances," based on a line from this blog Silva quoted. Not too shabby but of course a HuffPo commenter chimes in to say "No Trance..." Got that, Silva? Stop sapping our attention with these seductive abstractions, we have pages to surf! The Net is not Ibiza.

Included in the post are some of Silva's wilderness techno psychedelia animations from his blog Antlers WiFi.

Speaking of GIFs, Google, and MySpace, the famous "Tom" of MySpace has a Google Plus page where he complimented Google for allowing animated GIFs on Google Plus, unlike that snooty old Facebook, which doesn't allow them. (Google Plus being Google's attempt to wrest "social media" back from Facebook, a hot topic we've been avoiding here.)

If it's Google's official policy to "allow" GIFs then the subject shifts to (i) how consistently do they load correctly (moving as opposed to frozen) (ii) will animated GIFs become more easily searchable on Google Images? (iii) what kinds of limits will be put on GIF use (such as Tumblr's GIF size limit of 500 (?) kb)
and (iv) why don't animated GIFs work on all Google products? (One of Tom's commenters notes that GIFs don't animate on the Android phone operating system).

In the heated GIF discussion in Paddy Johnson's blog comments no one brought up social class per se, so let's do that now. Johnson's commenters who perceive the transition from GIFs to HTML5 and/or CSS Sprite/Javascript animation* as a good, necessary, or inevitable historical development essentially stand with the decisionmakers who fear the chaos and "anyone can do it" democratization GIFs represent. Pushing the GIFs=MySpace=Bad=Tacky frame and the assumed superiority of Facebook from a design standpoint essentially supports the status quo, as does brushing off critiques as conspiracy theory. Of course, you nut, you couldn't be complaining about the corporate phase-out of GIFs unless you believed Steve Jobs called Mark Zuckerberg and arranged a secret meeting in a torch-lined room to discuss "the GIF problem."

Whether diminishing GIF support by the large software companies is just underexamined groupthink, snobbery among middle-echelon designers, or something else, there are social issues to consider and discuss. Concerns about any top-down edict or attempt to impose a "one-way web" are not conspiracy theory. There is a political aspect to GIF use and denying it as just as political as pointing it out. (A recap for those just joining us: GIFs are easy to make, can be read on any browser, and aren't dependent on proprietary software you have to buy, and are thus a cheap, easy way to get out messages ranging from pie-in-the-face gags to mind-bending psychedelia to dangerous political agitprop. For a small handful, GIFs represent the use of an old, supposedly outmoded form to critique present ideas of progress and planned obsolescence. Meanwhile, as fate would have it, the big software companies are trying to move "portable" animation to more controllable but still mostly inferior tools, or eliminate it altogether. The merest hint of any cause and effect among these elements makes some people very abusive and dismissive.)

If Google is embracing GIFs (which is probably too strong) we need to re-read Olia Lialina's essay Vernacular Web 2 and think about ways corporate "home pages" might co-opt the amateur look. The ironies and contradictions of Tom (a former Rupert Murdoch employee after Murdoch sold MySpace at a whopping loss) appearing on Google to high-five GIFs in the context of a Google vs Facebook war to woo "the kids" threaten to reach head-exploding levels without some guidance to help us think our way through them. (The class issues of MySpace vs Facebook, raised by a certain Nasty Nets member, are gotten into a bit in the sidebar to that essay, written several years ago.)

hat tip drx

*with or without working out all the bugs and limitations of the HTML5 animation