More Unidentified Rave Tracks

As a hobby have been digitizing my cassette tapes of early '90s house music, originally spun live on Dallas's "Edge Club" radio show by DJ Jeff K and guest DJs from the international rave scene (DJ Icey, Utah Saints, DIY Crew, etc). The cassettes were made during the year or two before I moved to NY. Occasionally put up posts asking if anyone can identify the tracks (I had no set list) and have not gotten any response. This means either that they are impossibly obscure or the ultimate niche interest in a world teeming with ultimate niche interests.

Undeterred, here are two clips made over the weekend:

Unknown Early '90s Dance Track A1: [mp3 removed]

This is straight up acid house, with a 303 and possibly a 909 because the hats sound like samples, and there's some backwards drum hits (the 808 was all live synthesis). It's very subtle and hypnotic--at the point this track was done, acid had had been around for a few years; it was minimal because the producer knew exactly what could be left out. There's no flash. Much of the impact derives from the single note Rhodes stab and the lonely churchbell/trainwhistle sound in the background.

Unknown Early '90s Dance Track A2: [mp3 removed]

Bizarre--it sounds like a whole soccer stadium full of people going "AAAA-AAAH," out of which emerges a sweet, John Barry-esque piano melody (as Simon Reynolds once described the orchestral interludes in Acen's "Trip to the Moon.") This could only have been done in England.

earcon CD cover

This is the cover for John Parker's Party Lion CD, recorded under his earcon alias. I did the drawing in MSPaint and Parker designed the type. He tells me that an "earcon" was someone's failed attempt to make an audio icon for the web--failed as in, it didn't catch on. (Just to put it in proper webtrash-appropriating perspective.)
Buy the disc and read the interview at CD Baby, this is real take-no-prisoners manifesto writing. It will convince you to sell your analog gear and old computer from the '80s and start dorking around with some of the current, relatively inexpensive electronic music making tools that are out there.

Blip Festival Cell Phone Call

"Blip Festival Cell Phone Call '07" [700 KB .mp3] (about 30 seconds)

For the second year in a row, Aron Namenwirth called me on his cell phone while attending the Blip Festival of 8-bit music in NY. And just like last year, I missed the call (obviously I wasn't at the festival), but kept his phone message and made it into an .mp3. This is what the recorder picked up--it's kind of a 4 bit version of the 8 bit performance. Eventually I'll find out who the artist is--last year's call was the Depreciation Guild.

Related: "Blip Festival Cell Phone Call '06" [690 KB .mp3] (see also Eyebeam reblog)