guest DJ set list (Sept. 2, 2021) - Brazil '68-'06

Thanks to ffog for inviting me to guest-DJ again on his weekly internet radio show, Myocyte.
The mix was "simulcast" on anonradio and tilderadio, and has been archived by anonradio (scroll down to "Ffog - Pleasure & Discomfort Myocyte"). An mp3 version of the mix is here: [1 hr mp3] (The show was broadcast at 1 am on September 3 UTC, which is 8 pm Central, September 2, in the US.)

The tracks highlight Brazilian music or musicians (with a few outliers such as Arto Lindsay, an American who grew up there, and various collaborators).

While the tracks were playing I "announced" via text chat on the #sally and #tilderadio channels on IRC (Internet Relay Chat), as well as anonradio's chat service "com," which runs on a command line terminal. Listeners could comment or ask questions. This is an interesting way to DJ, very different from my old FM radio days and a few steps up aesthetically from having everyone's data and souls leeched out on Spotify, Mixcloud, etc.

00:00 Stan Getz/João Gilberto, Águas de Março (1976) - The Best of Two Worlds

04:35 Hermeto Pascoal, Just Listen (Escuta Meu Piano) (1977) - Slaves Mass

09:59 Arto Lindsay, Mundo Civilizado (1996) - Mundo Civilizado

14:12 Nana Vasconcelos, Anarrie (1989) - Rain Dance

16:51 Os Mutantes, Algo Mais (1969) - Mutantes

19:26 Nana Vasconcelos, Eh! Bahia (1989) - Rain Dance

24:08 Os Mutantes, Fuga N° II Dos Mutantes (1969) - Mutantes

27:42 Jorge Ben & Toquinho, LK (Carolina Carol Bela) (DJ Marky & XRS Land Mix) (2002) - The Brazilian Job

31:15 DJ Marky, DJ Patife & ESOM, Só Tinha Que Ser Com Voce (Cosmonautics Mix) (2002) - The Brazilian Job

34:15 Os Mutantes, Panis et Circensis (1968) - Os Mutantes

36:19 Os K-rrascos & Vanessinha Do Picatchu, Bochecha Ardendo (2004) - Funk Carioca mixed by Tetine

40:05 Deise Tigrona, Injeção (2004) - Funk Carioca mixed by Tetine

42:15 Bonde Do Tigrão, Cerol Na Mão (2004) - Funk Carioca mixed by Tetine

43:49 Tati Quebra Barraco, Se Marcar (2004) - Funk Carioca mixed by Tetine

46:20 Unknown, Track 1 (2004?) - Funk Neurotico

49:23 Unknown, Track 2 - (2004?) - Funk Neurotico 23

51:29 Isaac DJ, Jiu Jitsu (Montagem) (2006) - Rio Baile Funk: More Favela Booty Beats

53:56 Unknown (2004) - Diplo: Favela on Blast: Rio Baile Funk 04

58:30 Arto Lindsay, Mundo Civilizado (DJ Soul Slinger Remix) - This Is Jungle Sky IV

guest DJ set list (August 19, 2021) - poMo Classical & Jazz Fission (aka the "Orff Mix")

Thanks to ffog for inviting me to guest-DJ again on his weekly internet radio show, Myocyte.
The mix was "simulcast" on anonradio and tilderadio, and has been archived by anonradio (scroll down to "Ffog - Pleasure & Discomfort Myocyte"). An mp3 version of the mix is here: [1 hr mp3] (The show was broadcast at 1 am on August 20 UTC, which is 8 pm Central, August 19, in the US.)

To flesh out the ideas behind the mix, I've posted an essay with details and observations about the tracks and why I put them together.

While the tracks were playing I "announced" via text chat on the #sally and #tilderadio channels on IRC (Internet Relay Chat), as well as anonradio's chat service "com," which runs on a command line terminal. Listeners could comment or ask questions. This is an interesting way to DJ, very different from my old FM radio days and a few steps up aesthetically from having everyone's data and souls leeched out on Spotify, Mixcloud, etc.

00:00 John McLaughlin, Something Spiritual (1971) - My Goal's Beyond

03:26 Penguin Cafe Orchestra, In the Back of a Taxi (1984) - Broadcasting from Home

06:38 Carl Orff & Gunild Keetman, Diminution Schrei (1975) - Gassenhauer

08:15 Eric Satie, Entr'acte excerpts (1924) - YouTube

12:16 Moondog, Sea Horse - The Last Concert, 1999

13:34 Ralph Towner, Suite, 3x12, No. 2 (1973) - Trios/Solos

15:48 Moondog, Bird's Lament - The German Years 77-99 (2004)

17:28 Carl Orff, Dance for Violin & Cello - Orff-Schulwerk, Vol. 1 (1995)

19:11 Maurice Ravel, Le Tombeau de Couperin, I. Prelude - David Korevaar, piano

22:03 Gertrude Orff, Kleiner Klavierstücke, Heft I, No. 2, Orff-Schulwerk, Vol. 3 (1995)

22:33 Philip Glass, Modern Love Waltz (Amy Briggs, piano) - YouTube

26:07 Carl Orff, Tun Ma Gehn, Rösserl Bschlagn - Orff-Schulwerk, Vol. 1 (1995)

26:55 Sandy Bull, Carmina Burana Fantasy (1963) - Fantasies for Guitar & Banjo

31:27 Carl Orff, Dance 1 (Piano Exercise No. 29) for Violin & Cello - Orff-Schulwerk, Vol. 1 (1995)

32:34 Ralph Towner, Suite, 3x12, No. 3 (1973) - Trios/Solos

35:19 John Cale, Days of Steam (1972) - The Academy in Peril

37:05 Penguin Cafe Orchestra, Yodel 1 (1981) - Penguin Cafe Orchestra

41:07 Mothers of Invention, Aybe Sea (1970) - Burnt Weeny Sandwich

43:39 Eberhard Weber Colours, Silent Feet (1978) - Silent Feet

49:45 Weather Report, The Moors (1972) - I Sing the Body Electric

54:21 Tony Williams Lifetime, Something Spiritual (1969) - Emergency!

Notes for "Orff Mix"

[Update: "Tom Moody - poMo Classical & Jazz Fission" aka "The Orff Mix" streams Thurs, Aug 19, at 9 pm Eastern on ffog's Myocyte show on tilderadio and anonradio.]

streetsongA_650w

I am working on a mix for (open source) internet radio streaming. Below are notes explaining my choices. The mix is tentatively scheduled for this Thursday. I'll post again when know more. My thinking here is closely tied in with music I am making in the studio at the moment.

This mix explores the power of the simple, primitive, incantatory riff in postmodern classical and "jazz fission" music (Kodwo Eshun's term for the brief period of poMo experimentation in the late '60s/early '70s, which eventually jelled into codified -- and bankable -- "fusion" jazz). My touchstone composers here are Carl Orff and Eric Satie, and their music is interwoven in the mix with experimenters on the "rock" side (John Cale, Frank Zappa, Penguin Cafe Orchestra) and the "jazz" side (John McLaughlin, Ralph Towner, Eberhard Weber). My aim is a musical conversation where common themes, differences and "sidebars" are all considered.

The mix begins and ends with a version of "Something Spiritual," a piece attributed to Dave Herman, who may or may not have played with Glenn Miller (Discogs sometimes mixes up artists with similar names) and appears to have written only this one tune. It's a bifurcated composition, with a wistful, soulful beginning that breaks into a repeated 7 note riff (da da, da da, da da, da) that is very "rock and roll." The piece keeps switching back and forth between the soulful part and The Riff, trying to make up its mind. At the beginning of the mix, John McLaughlin plays it on acoustic guitar(s), showing off his speed and technical skill. At the end of the mix it's played by The Tony Williams Lifetime, a towering group of the fission era, with McLaughlin on electric guitar, Larry Young on Hammond organ, and Williams intricately flailing away on drums. Here The Riff takes over the song, and is played by McLaughlin and Young ad infinitum, with subtle variations in timbre and syncopation, allowing Williams to go off into outer space with metric variations and polyrhythms on a standard drum kit. The loud guitar and pulsating organ are rock, not jazz -- were it not for the drums, this could be Steppenwolf.

Going back to the beginning of the mix: McLaughlin's acoustic version is followed by Penguin Cafe Orchestra's "In the Back of a Taxi," which has a upbeat folk-like Riff played on bass, piano, and ukulele that you could listen to all day. But then a zany quasi-mariachi band comes in with trumpets and breaks the hypnotic groove. This happens twice in the song but the Riff remains constant throughout.

Next comes the first of several pieces by Carl Orff and Gunild Keetman from their "Schulwerk" series, a decades-long compilation of pedagogical music for children (or students of all ages). In "Diminution Schrei," an infectious stew of bubbling xylophone and wood block percussion suddenly erupts into shouts and Native American "hey-ya"s -- from a German boys choir, no less. It's fun and pretty wack. This short piece takes us to Eric Satie's score for Rene Clair's film Entr'acte, which ran during the intermission of the ballet Relâche in 1924. This is my favorite Satie piece, an example of his modular "furniture music" -- a concatenation of simple Riffs ranging from circus music to melancholy strings -- which could be repeated or shortened as needed, to keep the score in sync with the film cuts. This was way ahead of its time.

Next up is Moondog's wistful piano tune "Sea Horse," which could be a continuation of the Entr'acte score, followed by Ralph Towner's solo guitar piece "3x12 (2)." Towner riffs, too but his mind is so musically inventive the motifs never settle into grooves but, instead, serve as links in chains of free association. Then it's back to Moondog, with his most famous work, "Bird's Lament," for reed instruments, including a honking baritone to die for. For this mix I used a version without percussion, from The German Years 77-99, sped up to the same tempo as the better-known version from Moondog (1969) on Columbia. This seques pretty nicely to Carl Orff's "Dance (arr. Wilfried Hiller) for Violin and Cello" from the Schulwerk series, with short sections that could be a sequence of stately folk dances.

This is followed by a threesome of piano works from my blog playlist hatin' on Haigh -- -- which presumed to find some better examples of solo piano (more fun, more tuneful, more diverse, more emotional) than those offered by Simon Reynolds favorite Robert Haigh in The Wire a few years ago. Ravel's "Le Tombeau de Couperin (I. Prelude)" receives a lightning fast treatment from David Korevaar. I owned the orchestral version of this for years and only on hearing the piano version realized what Ravel is doing with a Baroque composition by Francis Couperin -- unstiffening it and making it more romantic, more obviously French. You can still hear the Baroque trills and mathematics but with syncopating pauses and lush sweeps of cabaret expressiveness: a truly amazing reinvention. Then Gertrude Orff's haunting kids' music piece "Kleiner Klavierstücke, Heft I, No. 2," suggesting another quiet court dance. Then Philip Glass' Spanish-flavored "Modern Love Waltz" (performed by Amy Briggs), a machine-like arpeggio workout. You can almost see punched rectangles on a player piano going by, even though it has a human player.

Back to Orff: "Tun Ma Gehn, Rösserl Bschlagn," a children's piece featuring claps and a spirited mezzosoprano voice, precedes Sandy Bull's version of Carmina Burana -- played on a banjo! I owned this years ago, on a vinyl compilation of Bull's music, and can't imagine why I forgot this was on there -- it's completely memorable. Carmina is so familiar from horror movie scores it almost sounds like hackwork today. The banjo strumming puts us back in touch with its roots in the Jungian meme pool that Orff was tapping into: elemental strummed notes that are part folk, part medieval, part "world," touching something deep and primordial. This is followed by another Orff-penned children's piece, "Dance 1 (Piano Exercise, No. 29) for Violin and Cello" (1933), which seduces with its counterpoint between bowed and plucked strings.

Another short, frenetic Ralph Towner solo, "3x12 (3)," leads into John Cale's "Days of Steam," from his mostly classical third LP, The Academy in Peril (1972). This rhythmic piece for piano, viola, and tambourine (with trumpet scales and recorder at the end) presciently resembles Simon Jeffes and his Penguin Cafe Orchestra, which appeared a few years later. It's followed in the mix by Penguin Cafe Orchestra's "Yodel 1" (1981), a strummed acoustic guitar riff with piano and bongo accents. The simplicity and transparency of the instrumentation puts it very much in the Orff "Musik Für Kinder" ballpark, even though it's a 4 minute jam rather than a short structured chamber work.

Next is "Aybe Sea," one of the Mothers of Invention's prettiest pieces, from the Burnt Weeny Sandwich LP. A trio for piano, harpsichord, and Zappa's pedal-inflected guitar, the piece conjures a kind of deranged Renaissance dance number, before settling into a long piano coda. Eberhard Weber's "Silent Feet" is notable for Rainer Brüninghaus' liquid, exploratory piano intro, reminiscent of Ralph Towner's music in its improvisational complexity, rippling through a series of twists, turns, and key changes in a completely Western tonal framework (there are a couple of flubbed notes about 2/3 of the way through, which he recovers from brilliantly). This type of playing would resurface as the Windham Hill "new age" sound a few years later, without Brüninghaus' edgy melodic poetry.

The Ralph Towner acoustic guitar solo that opens Weather Report's "The Moors" is the stuff of legend, another freewheeling journey that resembles pure thought, turned into sprays of 12-string notes. The story goes that Joe Zawinul gave guest-instrumentalist Towner a chair to sit on in the recording studio and let Towner warm up before playing with the band. Unbeknownst to Towner, Zawinul had the tape recorder running and the warm-up session became the finished intro. "The Moors" then continues in Weather Report's early controlled free jazz style (coming off their years with Miles Davis) which had largely disappeared after their next LP, Sweetnighter. The mix then ends with the Tony Williams Lifetime version of "Something Spiritual," discussed above.

guest DJ set list (August 5, 2021) - Classic House & Techno

Thanks to ffog for inviting me to guest-DJ again on his weekly internet radio show, Myocyte.
The mix was "simulcast" on anonradio and tilderadio, and has been archived by anonradio (scroll down to "Ffog - Pleasure & Discomfort Myocyte"). An mp3 version of the mix is here: [1 hr mp3] (The show was broadcast at 1 am on August 6 UTC, which is 8 pm Central, August 5, in the US.)

This was my first time streaming directly from my PC (running Linux) to the tilderadio server.* In previous shows ffog did the streaming of a mix I had previously sent him via FTP. I used the Mixxx software, which installed effortlessly on Linux and connected to the server with no issues.

Dedicated to DJ Jeff K, whose mix show on KDGE-FM in Dallas in the early '90s introduced me to many of these tunes. Also big props to DJ Buttstuff for helping me to identify some of the tracks from my tapes of Jeff K's show. And thanks to ffog for teaching how to livestream using Mixxx.

While the tracks were playing I "announced" via text chat on the #sally and #tilderadio channels on IRC (Internet Relay Chat). Listeners could comment or ask questions. This is an interesting way to DJ, very different from my old FM radio days and a few steps up aesthetically from having everyone's data and souls leeched out on Spotify, Mixcloud, etc.

Set list and notes for the show:

00:00 Psychotropic - Only for the Headstrong (12 inch, 1990)
05:43 Soul Odyssey - Rapture (12 inch, 1993)
10:13 Central Fire - This Is a Shout Going Out (12 inch, 1994)
14:19 Dave Clarke - Zeno Xero - (Red 1 12 inch, 1994)
19:57 Eon - Worlds Beyond (12 inch, 1993)
25:36 Gypsy - I Trance You (12 inch, 1992)
31:23 Those Guys - Tonite (12 inch, 1991)
36:41 Last Session feat. Alton M and Kim - Sometimes I Feel Like (Chicago Vox Mix) (12 inch, 1994)
41:56 Cal-Q-Lator - Dr. Bradford (Urgent Call) (12 inch, 1994)
46:25 DJ Chris Paul - I Love You Dear (Isotonik - The Next Generation EP, 2011)
52:07 Lift - Allright (Tales From The Edge Vol. 7-8 CD, 1993)
57:59 Digital One - Thoratic (Tales From The Edge Vol. 7-8 CD, 1993)

*My mix was uploaded separately to anonradio and programmed to run simultaneously as the tilde broadcast.

guest DJ set list (July 22, 2021) - Soundtracks 3: 1963-2014

Thanks to ffog for inviting me to guest-DJ again on his weekly internet radio show, Myocyte.
The mix was "simulcast" on anonradio and tilderadio, and has been archived by anonradio (scroll down to "Ffog - Pleasure & Discomfort Myocyte"). An mp3 version of the mix is here: [1 hr mp3] (The show was broadcast at 1 am on July 23 UTC, which is 8 pm Central, July 22, in the US.)

This was my third soundtracks mix. [Part 1 / Part 2] The mix compiles some favorite movie and TV soundtrack excerpts. Most were first heard while watching the film or video and hunted down because they were so ear-grabbing. Some are from soundtrack albums of clips from the films or TV shows.

While the tracks were playing I "announced" via text chat on the #sally and #tilderadio channels on IRC (Internet Relay Chat). Listeners could comment or ask questions. This is an interesting way to DJ, very different from my old FM radio days and a few steps up aesthetically from having everyone's data and souls leeched out on spotify, etc.

Set list and notes for the show:

0:00 Bernard Herrmann - Jason & the Argonauts (1963) - main title

2:32 Ryuichi Sakamoto - Where Is Armo? (1987) - The Last Emperor

4:52 Albert Elms - No. 6 Dances with B (1967) - The Prisoner

6:10 John Carpenter - Doolittle's Solo (1974) - Dark Star

7:16 Ennio Morricone - Scherzi a Parte (1971) - Duck, You Sucker

9:38 Krzysztof Komeda - Skiing/Castle (1967) - The Fearless Vampire Killers

12:19 Disasterpeace - Detroit - It Follows (2014)

13:32 Clint Mansell - Pi (1998) - end titles

16:25 Disasterpeace - Greg/Jay - It Follows (2014)

18:54 Krzysztof Komeda - Alfred Behind Sleigh (1967) - The Fearless Vampire Killers

20:05 Nino Rota - Love for Everybody (1965) - Juliet of the Spirits

21:59 Danny Elfman - Breakfast Machine (1985) - Pee Wee's Big Adventure

24:32 Nino Rota - Shining Faces (1965) - Juliet of the Spirits

26:06 Rolfe Kent - Election (1999) - opening credits

27:59 Bernard Herrmann - Leaving Home (1968) - The Bride Wore Black

28:46 Jürgen Knieper - The American Friend (1977) - main title

30:34 Bernard Herrmann - The Reception (1968) - The Bride Wore Black

33:40 Angelo Badalamenti - Blue Velvet (1985) - opening theme

35:00 Goblin - Deep Red (1975) - childhood flashback

37:23 Bruno Calais - Coraline (2009) - end titles

39:08 Goblin - Deep Red (1975) - main title

40:43 Francis Monkman - The Long Good Friday (1980) - main title

42:35 Krzysztof Komeda - Snowman/Sarah - The Fearless Vampire Killers (1967)

44:12 Ennio Morricone - Duck, You Sucker (1971) - main title

45:41 "Johnny" Williams - Penelope (1966) - title variation

48:15 Jack Arel, Swell Girl AKA Dreamy Party (1967) - The Prisoner

50:16 Rolfe Kent, Teaching Was My Life/Tracy's Table/Voting - Election (1999)

53:26 Danny Elfman, Pee Wee's Big Adventure (1985) - excerpts

57:59 Mark Mothersbaugh - Pee Wee's Playhouse (1986) - end credits