Tom of MySpace High Fives GIFs on Google Plus

Speaking of GIFs, Google, and MySpace, the famous "Tom" of MySpace has a Google Plus page where he complimented Google for allowing animated GIFs on Google Plus, unlike that snooty old Facebook, which doesn't allow them. (Google Plus being Google's attempt to wrest "social media" back from Facebook, a hot topic we've been avoiding here.)

If it's Google's official policy to "allow" GIFs then the subject shifts to (i) how consistently do they load correctly (moving as opposed to frozen) (ii) will animated GIFs become more easily searchable on Google Images? (iii) what kinds of limits will be put on GIF use (such as Tumblr's GIF size limit of 500 (?) kb)
and (iv) why don't animated GIFs work on all Google products? (One of Tom's commenters notes that GIFs don't animate on the Android phone operating system).

In the heated GIF discussion in Paddy Johnson's blog comments no one brought up social class per se, so let's do that now. Johnson's commenters who perceive the transition from GIFs to HTML5 and/or CSS Sprite/Javascript animation* as a good, necessary, or inevitable historical development essentially stand with the decisionmakers who fear the chaos and "anyone can do it" democratization GIFs represent. Pushing the GIFs=MySpace=Bad=Tacky frame and the assumed superiority of Facebook from a design standpoint essentially supports the status quo, as does brushing off critiques as conspiracy theory. Of course, you nut, you couldn't be complaining about the corporate phase-out of GIFs unless you believed Steve Jobs called Mark Zuckerberg and arranged a secret meeting in a torch-lined room to discuss "the GIF problem."

Whether diminishing GIF support by the large software companies is just underexamined groupthink, snobbery among middle-echelon designers, or something else, there are social issues to consider and discuss. Concerns about any top-down edict or attempt to impose a "one-way web" are not conspiracy theory. There is a political aspect to GIF use and denying it as just as political as pointing it out. (A recap for those just joining us: GIFs are easy to make, can be read on any browser, and aren't dependent on proprietary software you have to buy, and are thus a cheap, easy way to get out messages ranging from pie-in-the-face gags to mind-bending psychedelia to dangerous political agitprop. For a small handful, GIFs represent the use of an old, supposedly outmoded form to critique present ideas of progress and planned obsolescence. Meanwhile, as fate would have it, the big software companies are trying to move "portable" animation to more controllable but still mostly inferior tools, or eliminate it altogether. The merest hint of any cause and effect among these elements makes some people very abusive and dismissive.)

If Google is embracing GIFs (which is probably too strong) we need to re-read Olia Lialina's essay Vernacular Web 2 and think about ways corporate "home pages" might co-opt the amateur look. The ironies and contradictions of Tom (a former Rupert Murdoch employee after Murdoch sold MySpace at a whopping loss) appearing on Google to high-five GIFs in the context of a Google vs Facebook war to woo "the kids" threaten to reach head-exploding levels without some guidance to help us think our way through them. (The class issues of MySpace vs Facebook, raised by a certain Nasty Nets member, are gotten into a bit in the sidebar to that essay, written several years ago.)

hat tip drx

*with or without working out all the bugs and limitations of the HTML5 animation

stage baker - dump.fm webcam portraits

Simon Baker, aka stage, has made a series of portraits based on dump.fm webcam photos, using Microsoft Paint. "The portraits were drawn in a similiar style - with their own unique pixel brushes (dragged + smeared). Like the users of dump: similiar and different," he writes. The pixel brushes are essentially snapshots of an image or texture (a unique cluster of square dots) that act like a rubber stamp dipped in ink and smeared across a surface. The drawings nicely balance a hand-drawn subjective style with the analytical, rectilinear default state of the toy-like computer program. Like Etch-a-Sketch, the MSPaint "controls" (mouse, trackpad, whatever) always seem to be pulling an artist's hand towards strict horizontals and verticals.

stage_baker_anita_hug-portrait

stage_baker_daytimetelevision-portrait

stage_baker_frakbuddy-portrait

stage_baker_girlafraid-portrait

stage_baker_gridworks1-portrait

stage_baker_mirrrroring-portrait

stage_baker_zoeee-portrait

top to bottom: anita_hug, daytimetelevision, frakbuddy, girlafraid, gridworks1, mirrrroring, zoeee

Mondrian and old videogames may haunt Paint but it is still a contemporary tool, included with the most current versions of the Windows operating system and not such a living fossil as people might think. Your screen is a zone of rasterized imagery, favoring bitmap-style arrangement--a grid assembled left to right, top to bottom faster than your eye can see (usually). Even curvy vector drawings ultimately must adapt to the grid, at least until screen manufacture is redesigned and re-conceptualized into some sort of squishy lava lamp field carved by swooping lasers. Drawings such as these constantly remind you of the grid's primacy in digital expression. In this sense they are more honest to the true nature of the screen "medium" than the gauzy, velvety (but ultimately brittle) attempts to imitate fine oil painting seen in most paint programs.

The drawings also explore the interrelationship between drawing and photography, as well as between an active and passive subject. Much of the impact of these images is collaborative. The dump.fm webcam program allows users to frame themselves and make decisions about lighting and other variables before hitting "send." Baker as artist is obeying parameters not only of the Paint program but certain truths of a pre-existing, previously published image and the webcammer's history and persona on dump (a social, chat-based environment). Like the illuminator of a medieval manuscript, he can to some extent only embellish a fixed text. The drawings are a record of "seeing how far he can go" in expressing his own artistic personality, but with his caricaturist's hand skill, wit and insight into his subject/objects, he doesn't have to go too far "out there" to make a successful statement: just translate with a twist.

grill

burgerflip

GIF_partisanship

burger flip: sherm

GIF art not inspired by or otherwise responsive in way to twitter art and its practitioners (dumps not viewable on IE):

noisia blowing away the competition
molecules a go go (Bunny Hentman)
insipid head and facehugger figurine (snoggybox)
tom o'finland fractal (hypothete)
keep those pixels sharp (xylotism)
sickening ceiling fan cat (frankhats)
wormy animation as sound art (melipone)
8-bit bricklayer jam (hat tip illalli)