All EFF'd UP

Surveillance Valley author Yasha Levine has a piece in the Baffler this week about the Electronic Frontier Foundation, titled All EFF'd Up. He wonders why this advocacy group has been largely silent regarding the Facebook (lack of) privacy scandal, which blew up after the so-called Cambridge Analytica revelations (so-called because everyone already knew Facebook was a privacy ogre). He concludes that EFF (i) isn't really an advocacy group but simply a Silicon Valley lobbyist and (ii) is more concerned with government bad behavior than corporate. He contrasts the zeal with which EFF pursued the SOPA/PIPA anti-copyright legislation (which threatened to hurt the business model of the big search and social companies) and its lackadaisical efforts re: consumer privacy. Noting that EFF is heavily funded by tech giants, he adds that:

[t]he reason for EFF’s silence on the Facebook surveillance and influence scandal goes deeper -- into the business model of the internet itself, which from the outset has framed user privacy as being threatened by ever-imminent government censorship, as opposed to the protection of users and their data from wanton commercial intrusion and exploitation. Put simply, the lords of the internet care very little about user privacy -- what they want to preserve, at the end of the day, is their own commercial license against the specter of government regulation of any kind.

EFF wasn't always silent on Facebook (lack of) privacy. See for example, an article on Facebook's Eroding Privacy Policy: A Timeline. But that was eight years ago.

"social photography" blue chip-o-meter

Carriage Trade gallery is having its annual benefit, this year titled Social Photography VI. Cell phone photos, in editions of ten and printed with inkjet, are offered for sale at $75 per print.
A few years ago I wanted to buy an Olivier Mosset photo and all ten had been sold by the time I looked at the site.
Since I just received the press release today for the current installment, was morbidly curious to see who the top sellers were. Sorting the list by best-selling, here are the ones that are already gone [see update below]:

Dan Graham
Neil Jenney
Barbara Ess
Tracey Emin
Louise Lawler

It's only mentioned because "social" as exemplified by Instagram, et al, is supposed to be a leveler or equalizer, or, has its own hierarchies based on clicks, "SEO," and personal fame (exclusive of art background). In this case, the list of invited artists offers a snapshot, as seen by Carriage Trade, of art world players. This includes critics (Barry Schwabsky), theorists (Hal Foster), plus a couple of members of Sonic Youth.
(In the spirit of "extraneous reasons for art valuation," yrs truly bought a photograph by Stephen Lack, who in addition to being a dues-paying painter is legendary in the film world for playing the "good Scanner" in David Cronenberg's Scanners. Screenshot below.)

stephen lack

Update: Carriage Trade director Peter Scott sent a stern email objecting to my description of the early "best-sellers" in the show. He says that emails announcing the sales went out in advance of the one I received so I changed the wording of the post.

Enough Units -- LP screenshot

enough_units_screenshot

Screenshot of release page for my 27th Bandcamp release, Enough Units.

Short songs with a few ambient-style pieces interspersed. Continuing the quest for concise combinations of electronic sounds, noise, canned beats intended for electronica producer-wannabes, and "loopable" phrases from old vinyl records. "Tunes" are used in this process of integration and commentary; musical development within a song, in the conservatory sense, occurs but as a means to an end: a theme, a chorus, a bridge, an abrupt segue to a new tune are useful in focusing attention on the timbral and mnemonic connections, in a way (I find) that mere drones, collages, washes of sound, and other ambient music vocabulary elements, are not. The song-smithing is as "discursive" as it needs to be. (As a friend noted, there is also intentional humor.)