televisions (with and without recursion)

On the subject of recursive images, this post about Ken Shirriff's nested Alto computers reminded me of an earlier idea. In the late '80s I'd been invited to show in an exhibit on the theme of television, organized by some artists who did public access cable. The venue was a "major museum" so I wanted to make a statement. I had the idea of televisions in toilets receding to infinity. I couldn't make it work -- drawing a toilet seat is easy but it was hard to make a TV monitor that "popped" in the arrangement. Below is as far as I went with it:

television_toilet_recursion

An initial sketch:

television_toilet_recursion_sketch

After abandoning these I did this painting, TV Dinner (acrylic on canvas, 62 x 46 inches). The museum had a Philip Guston show up at the time and a local curator thought my painting was "derivative." One person's inside joke is another's failure of imagination.

tv_dinner

dem russia obsession bores voters

Norman Solomon:

"Frustrated Democrats hoping to elevate their election fortunes have a resounding message for party leaders: Stop talking so much about Russia,” The Hill reported over the weekend. In sharp contrast to their party’s top spokespeople, “rank-and-file Democrats say the Russia-Trump narrative is simply a non-issue with district voters, who are much more worried about bread-and-butter economic concerns like jobs, wages and the cost of education and healthcare."

recursive alto

shirriff_recursive_alto2_450w

Ken Shirriff has been restoring a vintage Xerox Alto computer (the PC Steve Jobs "borrowed" his ideas from). Using the BCPL programming language, a precursor to C, he made this image of an Alto on an Alto on an Alto [etc]

Before Wikipedia such an image would have been called infinitely recursive and everyone would have known what you meant ("infinite" within the limits of screen resolution, of course). Now the Wikipedians are encouraging us to use the term Droste Effect, after an obscure cocoa package design. Thanks, I'll pass, but Redditnerds are all over it with an online festival of recursive computer screen images they're calling Droste Week. Here's a typical example (most of these aren't very infinite):

recursive_atari600w

Earlier posts on Shirriff and the Alto restoration.

overcoming "our" disillusionment

Geert Lovink's latest anti-social media rant starts out well with amusing quips:

“Artificial intelligence is not the answer to organized stupidity”—Johan Sjerpstra.
“Please don’t email me unless you’re going to pay me”—Molly Soda.
“Late capitalism is like your love life: it looks a lot less bleak through an Instagram filter”—Laurie Penny.
“Wonder how many people going on about the necessity of free speech and rational debate have blocked and muted trolls?”—Nick Srnicek.
“Post-truth is to digital capitalism what pollution is to fossil capitalism—a by-product of operations”— Evgeny Morozov.
“I have seen the troll army and it is us”—Erin Gün Sirer.

But then Lovink switches to first person plural causing me to vomit on the keyboard:

Our disenchantment with the internet is a fact. Yet again, enlightenment does not bring us liberation but depression. The once fabulous aura that surrounded our beloved apps, blogs, and social media has deflated. Swiping, sharing, and liking have begun to feel like soulless routines, empty gestures. We’ve started to unfriend and unfollow, yet we can’t afford to delete our accounts, as this implies social suicide. If “truth is whatever produces most eyeballs,” as Evgeny Morozov states, a general click strike seems like the only option left. But since this is not happening, we feel trapped and console ourselves with memes.

As the old '60s joke goes, "What do you mean we, kemosabe?" Some people didn't sign up for Facebook in 2007 -- because it smelled like a racket. Some people don't carry surveillance devices in their pockets just because everyone else does. Some people have made a good-faith look for alternatives to swiping and sharing, shy of a "general click strike."

Lovink's article appears in e-flux, which recently tried and failed to acquire the .art domain, speaking of the need for general click strikes. A Facebook for art, controlled by well-intentioned do-gooders, was narrowly avoided.

The rest of Lovink's article discusses positive uses of memes, or something. I haven't read it all. It was hard to get past that first paragraph. Will update if there is anything worth passing along.